THE HISTORY OF KPOP
Unless you've been living under a rock for the last 5 years, you'll know that KPOP has blown up bigger than it ever has before. So, like me,
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ruby crowhurst
- Apr 15, 2022
five seconds flat - LIZZY MCALPINE ALBUM REVIEW
Alert for the sad indie music girlies: a new album to add to your playlist has arrived in the form of Lizzy McApline's third album...
ruby crowhurst
- Apr 9, 2022
FAMILIA - CAMILA CABELLO ALBUM REVIEW
Camila Cabello's new album Familia promises to take her closer to her roots, but unfortunately feels a little too commercial and calculated.
ruby crowhurst
- Apr 2, 2022
MOTOMAMI - ROSALIA ALBUM REVIEW
MOTOMAMI is the high-velocity genre-bending new album from Spanish music sensation Rosália.
ruby crowhurst
- Mar 18, 2022
CRASH - CHARLI XCX ALBUM REVIEW
Charlotte Aitchison, aka Charli XCX, is known for her experimental alt-pop, and although Crash encompasses the spirit of Charli XCX's music.
ruby crowhurst
- Mar 11, 2022
WHO CARES? - REX ORANGE COUNTY ALBUM REVIEW
Rex Orange County is back with WHO CARES? which continues the soft and warm feel of his last release, but unfortunately, doesn't offer a hu
ruby crowhurst
- Mar 4, 2022
RETRO REVIEW - LUNGS: FLORENCE AND THE MACHINE
In light of Florence and The Machine likely releasing their next album soon after the release of King last week, is there a more apt time..
ruby crowhurst
- Feb 25, 2022
LOVE SUX - AVRIL LAVIGNE REVIEW
Avril Lavigne saw people trying to bring pop-punk back in a mediocre fashion, and decided to revert back to her own pop-punk era...
ruby crowhurst
- Feb 4, 2022
LAUREL HELL - MITSKI ALBUM REVIEW
Mitski is back with her 6th studio album, and her first for over three, years, Laurel Hell, a collection of tracks filled with anger and sad
ruby crowhurst
- Jan 30, 2022
RETRO REVIEW: BORN TO DIE - LANA DEL REY
Lana Del Rey's Born To Die was a cultural phenomenon back in the days of Tumblr and tweens taking pictures with cigarettes for the aesthetic
ruby crowhurst
- Jan 16, 2022
CAPRISONGS - FKA TWIGS MIXTAPE REVIEW
FKA Twigs' new mixtape Caprisongs is a fun hyper pop addition to her already impressive discography, and it shows the artist creating...
ruby crowhurst
- Jan 9, 2022
DAWN FM - THE WEEKND ALBUM REVIEW
The Weeknd is back with his new concept album Dawn FM, which comes after the hit single 'Take My Breath' which was released last year.
ruby crowhurst
- Dec 12, 2021
FAVOURITE ALBUMS FROM EACH MONTH OF 2021
12 of 2021\s best albums, featuring Wolf Alice, Little Simz, and Olivia Rodrigo.
ruby crowhurst
- Nov 30, 2021
THIS IS WHAT IT FEELS LIKE - GRACIE ABRAMS EP REVIEW
If acoustic moments of introspection are your thing, then This Is What It Feels Like by Gracie Abrams should be added to your must-listen...
ruby crowhurst
- Nov 20, 2021
30 - ADELE ALBUM REVIEW
It seems like the world has been waiting with bated breath for Adele's first post-divorce album 30...
ruby crowhurst
- Nov 16, 2021
AN EVENING WITH SILK SONIC - SILK SONIC ALBUM REVIEW
Ever since Bruno Mars and Anderson.Paak teamed up for Silk Sonic to, it's safe to say people have been expecting a pretty stellar album....
ruby crowhurst
- Nov 13, 2021
RED (TAYLOR'S VERSION) - TAYLOR SWIFT ALBUM REVIEW
Review of Taylor Swift's RED (Taylor's Version). Taking an already beloved album and making it better is no mean feat, and for any other art
ruby crowhurst
- Nov 6, 2021
VALENTINE - SNAIL MAIL ALBUM REVIEW
If you're well and truly embracing sad girl autumn, then Snail Mail's sophomore album 'Valentine' is the album full of yearning and lost...
ruby crowhurst
- Oct 30, 2021
= (EQUALS) - ED SHEERAN ALBUM REVIEW
Ed Sheeran is back with his first solo album in four years, and with it, he continues his stance of being a hitmaker, but is he really...
ruby crowhurst
- Oct 22, 2021
BLUE BANISTERS - LANA DEL REY ALBUM REVIEW
Blue Bannisters takes Del Rey's classic melancholy tone and combines it with genuinely beautiful, perhaps biographical, storytelling...
ruby crowhurst
- Oct 8, 2021
SEVENTEEN GOING UNDER - SAM FENDER ALBUM REVIEW
Sam Fender's Seventeen Going Under is here and it shows that Fender is sticking with his indie roots but steps somewhat out of his comfort..
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